Frozen (1996)

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Despite the new, "nicer" look that China is trying to adopt for the 21st century, the fact still remains that the country is still controlled by an oppressive government that has no real interest in its people. That may sound like a heavy political statement, but nothing less would do when discussing Frozen, for the very essence of this film is political dissidence. Filmmaker Xiaoshuai Wang had to hide behind a veil of anonymity in order to avoid the possible repercussions of making this illegal film. He is credited as "Wu Ming" which loosely translates to "No Name", and the film was banned in China for being independently made with no government certificate.

The movie, supposedly based on a true story, centers around Qi Ling, an artist living in modern day China. He and others like him are prevented from true artistic freedom by the stifling laws, and so he enters a deep depression in which his art suffers. He conceives a performance art piece in which he will go through "seasonal burials," the last of these being an Ice Burial, which will kill him. He decides that publicly committing suicide in this manner is the purest way to make his artform come alive as well as protest the lack of freedom in his country. While his circle of friends understands what he is trying to do, his parents and most adults he knows simply can't grasp it. Now, revealing Qi Ling's death is NOT a spoiler. From the beginning of the movie, it is apparent he WILL die. In fact, the entire movie is basically a flashback of the events leading up to the suicide.

Frozen is a unique movie in that, right from the very beginning, we pretty much know how it will end. To watch the film is to want to see the story of how this young artist met his demise. One of the interesting facets is the way adults are portrayed: for the most part, they cannot understand anything about the youth artist groups because they seem to think that the modern generation is somehow better off than the older one. Using that logic, these kids should have nothing to complain about. The adults obviously miss the point, but their feelings are an accurate measure of how youth involvement in political statements can be misunderstood by those who are content.

While the story of Qi Ling is intriguing, it lasts a little too long. Too much of the movie is taken up by long silences and morbid discussions about death and high art. I'll admit, about halfway through the movie, I caught myself thinking, "Just hurry up and kill yourself already." In the end, I realized that was a rash reaction, but still, the extremely drawn out presentation of the story is something of a flaw. I've seen films with lots of long, philisophical moments (like any Andrei Tarkovsky or Ingmar Bergman movie), but they balanced style with the need for these moments. Frozen gives you no place to go, however, and due to its low budget, is visually unimpressive. These aren't major issues, but they do have a negative effect when the film is mostly a poetic message.

From digitally obsessed.com

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